右手的孤独

视频简介

恶霸万光华因见周神医不能救其子一命而要杀其全家，自己反被侠士小白龙所杀。华之师弟万冲本乃汪洋大盗，他杀掉即将上任的官员黄伯文，然后，假扮他令旧官程伟明护送官银。途中冲派人抢银，龙现身救明，并将官银送返明家。不久冲将龙及明生擒，忽又有蒙面人相救。此人为伯文之子后成，欲与龙，明连手杀冲报父仇。冲聘武林高手对付他们。龙中暗器昏迷，成找神医相救，自己却被冲捉去。神医嘱龙勿杀冲，因其师老道人必会报仇。但龙仍坚决前去。明救出成，成与龙大战冲，老道人出现，三招了亦尾随而至，三招过后他丢下帽子离去，龙明白三招了要暗示老道人死穴所在，他遂以剑插其头顶，成亦亲手杀冲，为父报仇，龙继续上路锄强扶弱。。上世纪三十年代，中国大地饥荒肆虐，饿殍百万，大量难民涌入上海。而上海政府昏聩无能，唯一能做的就是对外粉饰太平，对内愚民护短。黑心奸商们趁机群起作乱，哄抬物价大肆敛财。雨夜，巨商袁某在家中被杀。每逢雨夜，就必有一巨贪被诛。杀手杀完人后，都会在死者的身边留下一份义正言辞的审判书，上面写满了死者的罪行。一时间杀手---“判官”的消息传出，人心大快。 消息传到南京，南京政府极为震惊，生怕是共产党收买人心。于是他们明里派下英国皇家警察学院留学回来的林恒来侦破此案，暗中却派下老奸巨猾的中统干部秦域，来暗中“妥善”处理上海的局面，以挽回影响。 林恒在查案过程中，逮捕了强奸杀人的白衣商会会长李元康独子李逸承，李元康贿赂法院将李逸承无罪释放，林恒眼看李逸承逍遥法外却无可奈何。面对李元康父子的飞扬跋扈、“判官”的私刑执法和秦域的特殊使命。他在思考一个问题，到底是国家任务...。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。