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《神勇CID》乃是著墨於警务人员与黑社会的大斗法，透过故事道出正与邪、善与恶的意义。故事首先交付二十年前刘炳坚与贾锡年运私货，刘炳坚被捕，在外国服刑，留下子女三人给贾锡年抚养。身任沙展的刘振辉乃刘炳坚之二子，因女友马思敏被毒贩企图枪杀，遵致失忆，悲痛之馀，决心追查主谋。另一方面，刘振辉之同事程进与江宝华自小青梅竹马，但因程进过於大男人主义，故而江宝华便转爱刘振辉，三个本为同僚的好友，遂牵涉进一段复杂的三角恋爱漩涡里。与此同时，贾鍚年之子贾若龙欲独揽黑帮大权，与黑帮头子张雄之情妇易海伦搭上关系，被张雄发现，含恨在心，而贾锡年知子不肖，大加责骂。 贾若龙在此情势下，为假装清白，遂娶了刘振辉之妹丽琼为妻，婚后依然与易海伦私会，刘振辉不满，常代妹出头，引起多次冲突。贾若龙野心勃勃，要进一步获得黑帮势力，便利用失意的程进达成目的，但在最后关头，程进协助刘振辉，...。改編自包公（井淼）夜審郭槐（陳又新）的故事。包公出巡時，一陣怪風吹走其烏紗帽，入村發現一盲婦竟是被先帝逐出宮幃的李妃（歐陽莎菲）。當年她被劉妃（高寶樹）和郭槐以狸貓換太子，貶入冷宮，後借火災詐死逃亡。包公知郭槐和劉妃在宮中勢大，用妙計誘郭槐到開封，暗將牢獄佈置成陰間，且以丫環（李菁）假扮寇珠（凌波）鬼魂誘郭槐認罪。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。