我管你 华晨宇

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故事讲述在虚构的小镇埃达，年龄不断增长的人们被迫应对气候变化。冰盖正在以前所未有的速度融化。人们经历了长期的干旱，冬天太暖和了。人们越来越频繁地经历极端的寒冷发作。无论如何，极端天气条件。世界在变化，有些人可能声称我们正朝着新的仙境传说而去。除非有人及时介入。。在秩序井然的艾嘉王国，人类谨遵祖先的教训，绝不抬头仰望苍穹，放纵思绪流淌狂奔。传说在很久以前，地上的人们挑战造物，结果致令重力反转，难以数计的人类和建筑“坠入”蓝天，销声匿迹。但森严的秩序和自由思想势必发生冲突，少年艾吉（冈本信彦 配音）夜晚偷偷溜到野外，躺在草地上仰望繁星点点的夜空，而就在此时，身后的洞口出现了一个神色慌张的女孩。她叫帕特玛（藤井雪代 配音），拥有和艾吉全然相反的重力场。为了防止帕特玛跌落到空中，艾吉小心翼翼将其带到小屋保护起来。可是政府很快发现了帕特玛的踪迹，最高领导人动员全部力量展开围捕。 在你来我往的追逐过程中，艾嘉王国和反转人的秘密也悄然揭开……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。