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一个掌管着数亿资产的企业家热衷于某种冒险体育活动，这种舍身家性命不顾的行为令不少人大惑不解。攀登者的勇气来自强健的体格和娴熟的登山技巧，本片探讨“到底什么是胆量”。 胆量是经营决策者不可或缺的品质。对于任何一个经营者，无法回避的问题是，你必须在复杂多变的市场环境中求得生存和发展，必须直面各种不确定性风险带来的挑战。无数事实说明，有了善于审时度势、选择正确、决策果断的经营者，对于一家企业保持长盛不衰是何等的重要。 “胆大为王”是对“有胆有识”的一种诠释，并不代表脱离现实的武断和蛮乾，而是代表着坚持用缜密思维和科学方法应对“不测风云”，代表着经过仔细观察和深思熟虑后作出的正确决择。“胆大为王”又是对“谨小慎微”和“优柔寡断”的否定。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。